The Journey of the Outsider

            Something I’ve noticed is that a lot of stories – especially in fantasy – are about outsiders. The main characters tend to come from places where they’ve been cloistered off from the rest of the world, if not from an entirely different world all together.

            I’ve realized that at least part of the reason the reason these outsiders make such good main characters is because of how much it helps the author display the world. It limits the character’s knowledge and, as a result, allows the reader to learn about the world as the character does. That farmer living in a secluded village has a lot more to learn than a well educated scholar who is already immersed in the world.

            As readers, we are more forgiving to be told about a world if we’re learning along with the character. We don’t like the story being interrupted so we can be lectured about the world. If it’s the character who is learning, it’s then part of the story. We’re also more willing to accept mistakes the character may make out of ignorance, because we know everything that they know. It doesn’t matter if it’s common knowledge in the world – we didn’t learn it, so it is acceptable that the character also lacks this knowledge.

            Imagine how different the story would have been if Harry Potter had been raised within the wizarding world instead of with muggles. Or if Ron or any other wizard born character had the lead role. All the things that had our imaginations staring around in wonder and delight would have been every hay hum-drum to the main character. Instead of rubbernecking his way along Diagon Alley, pointing out all the wondrous shops, it would have been like a stroll in the shopping mall. We would have been lucky to have our attention drawn to the Nimbus 2000. All the magic would have been sapped out of the world because it was so normal to the character.

            Would Narnia had been so fantastic to someone who grew up there? Would a journey across Middle Earth have been so incredible if hobbits weren’t so reclusive?

            The reader is an adventurer, traipsing into an unknown world. Were we going there ourselves, we would want an experienced guide who knew the place. We aren’t, though. We are following along the experiences of our guide. If we want to experience the new world for ourselves, we need our guide to look upon it with the same wide-eyed wonder as we would.

            The journey of the outsider brings a new level of depth to a story. It’s no wonder we see so much of it.

Click here to find the charity anthology containing a couple of my short stories.

If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.

References and Originality

            One thing you should always remember about authors is that we are playful people and words are our favourite toys. We love to be sneaky and hide little secrets and references in our books, not to mention leaving a few puns lying around. My favourite  though, are the references. Most of these you won’t even notice unless you’re familiar with what they are about, but when you see them, they give you a good chuckle.

            The master of these references, of course, is Terry Pratchett. I firmly believe that no one can measure up to his satirical fantasy. I don’t think you can read a page without stumbling across some sort of obscure reference – the more I read, the more of them I catch and the more I marvel at his brilliance.

            In the three and a half books I've written, I've snuck in everything from Monty Python and Princess Bride quotes to references from Tolkien, Pratchett, Shakespeare and Dr Who (which I've only been watching for about a week) to internet memes. The more I write, the more ways I discover to sneakily hide references.

            I started thinking about these references (obviously, or else I wouldn't be talking about them) after coming across a reference to the lyrics of a Bon Jovi song in the book I'm currently reading (Vortex). I started to wonder why we hide these little tidbits in our books. I mean, obviously it’s fun, and it makes us feel special when someone likes our books enough to go digging through in search of everything we hid inside, but those couldn't be the only reasons.

            Then I realised that it’s our way of giving credit. In this day and age, there is virtually no originality. Not because we artists aren't as imaginative as we used to be, but simply because there is so much that has come before us. When I first read Eragon (a book written by someone close to my own age) I knew right away, without a doubt, that Christpher Paolini was a fan of Anne McCaffrey and Ursula K Le Guin. Whether it is intentional or not, authors will always have traces of whatever inspired them in their work. So, by sneaking our little references in, we are tipping our hats to those who inspired us and making ourselves feel better about using the turn of phrase that, strictly speaking, we didn't come up with.

            Since I mentioned the lack of originality in the world, I think I should elaborate on what I mean by that, as well as making it clear that it’s not a bad thing. We humans love to measure things and, while many would argue that art can’t be measured, we have managed to analyse books and say with certainty that there are only somewhere between 1 and 36 plotlines that exist in the world (the number depends on the system you are using to define the plots). If you look at the thousands of books, movies, video games and anything else requiring a plot that’s out there (like life), it’s obvious that these get used over and over again. How do we not notice?

            Well, the reason we don’t notice is because we (well, most of us) aren't watching for it. The art of telling a story isn't in creating a plot that no one has considered before; it’s in telling the story in a way that entertains people. It’s nice if this is a new way, and even better if you can keep people guessing, but the true purpose is to entertain. So, it doesn't matter that every story has already been told, because it can always be told in a different way!

            What about those people who analyse everything and complain about the lack of originality? That’s their own problem. If they want to decide that every story where the villain is the protagonist’s father is a Star Wars rip off, anything with a portal to another world is Narnia and anything with any type of institution that teaches magic is Harry Potter, then they are welcome to be disappointed about the lack of originality. They should, however, take a moment to read the history books to see how often events of reality repeat. They should also look to see if anyone else has commented on the lack of originality, lest their complaint is not their original thought.

            To finish off, I shall impersonate the Doctor and say, live long and prosper with the force. Alas, poor Yorik, he got caught playing riddles in the dark and was slain by Sephiroth before he could collect all the Deathly Hallows! Now, where did I leave my holy hand grenade...? Like a boss!

Click here to find the charity anthology containing a couple of my short stories.

If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.