Evil Vegetarian Elves

            Of late, I’ve been reading the Inheritance Cycle (by Christopher Paolini) to Colleen. As a result, you now get to hear about one of my biggest pet peeves in fantasy: vegetarian elves.

            To start off with, I should probably say that this is in no way an attack on vegetarianism or veganism – it is merely my opinion relating to an aspect of world building.

            Now, I completely understand the concept of elves being vegetarian – from a certain perspective, it makes complete sense. Elves revere nature and life, so wouldn’t they be opposed to killing animals?

            However, I can very easily refute that argument by saying: take a close look at nature. In nature, it is kill or be killed. Eat or be eaten. Yes, some animals eat only plants, but that’s because they lack the ability to eat meat. Elves are one with nature and, as such, would partake in the natural cycle of life. To abstain from eating meat would be to elevate themselves above nature.

            That said, it is also important to go back to the roots of modern fantasy. Tolkien. This is where we start, because prior to Tolkien, elves were all short sprites like the ones who help Santa. Tolkien reinvented the race into what is used in most stories.

            So, were Tolkien’s elves vegetarians? No. Thanks to the movies, this isn’t common knowledge because the idea that elves are vegetarians is so widespread that it managed to get into Peter Jackson’s interpretation. However, in The Hobbit, when Bilbo and the dwarves are in Mirkwood, they find themselves on the outskirts of a hunt – involving elves hunting a white elk. Later they come upon the elves feasting and, yes, meat is mentioned.

            This is the point where we reach why this becomes a pet peeve of mine. It can easily be argued that each writer is at complete liberty to make their world whatever they want it to be, which is entirely true. So what’s wrong with vegetarian elves? Internal consistency.

            When aspects of a world are created, even a fantasy world, they have to make sense. For that, let’s look at the common traits elves always have. Pointed ears. Graceful bodies. Keen eyesight and hearing. Exceptional archery skills.

            This last one is the problem. Exceptional archery skills. Why are elves exceptional archers? They are generally a peaceful race, so they would have no need of weapons unless threatened – at which point, they’d have to learn pretty fast to be that good at archery. There are easier weapons to use. No, they aren’t exceptional archers for the purposes of war – it is because they are hunters. And as they are so attuned to nature, they would not hunt for sport – only for food. Thus, for elves to have archery skills (and tracking skills, for that matter), they must eat meat.

            All of that said, it is possible for elves to be vegetarian – the world building just has to match. And, while it was his books that inspired this post, Paolini actually did a good job on the world building end of making his elves vegetarians – they have a reason for their choice and instead of exceptional archery, they’re simply very good at all forms of fighting due to their age, magic, and super-strength (making them more like Vulcans than traditional elves).

            So, in conclusion, elves can eat whatever they want – but the world and their abilities had better support their food choice.

Click here to find the charity anthology containing a couple of my short stories.

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If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.

The Journey of the Outsider

            Something I’ve noticed is that a lot of stories – especially in fantasy – are about outsiders. The main characters tend to come from places where they’ve been cloistered off from the rest of the world, if not from an entirely different world all together.

            I’ve realized that at least part of the reason the reason these outsiders make such good main characters is because of how much it helps the author display the world. It limits the character’s knowledge and, as a result, allows the reader to learn about the world as the character does. That farmer living in a secluded village has a lot more to learn than a well educated scholar who is already immersed in the world.

            As readers, we are more forgiving to be told about a world if we’re learning along with the character. We don’t like the story being interrupted so we can be lectured about the world. If it’s the character who is learning, it’s then part of the story. We’re also more willing to accept mistakes the character may make out of ignorance, because we know everything that they know. It doesn’t matter if it’s common knowledge in the world – we didn’t learn it, so it is acceptable that the character also lacks this knowledge.

            Imagine how different the story would have been if Harry Potter had been raised within the wizarding world instead of with muggles. Or if Ron or any other wizard born character had the lead role. All the things that had our imaginations staring around in wonder and delight would have been every hay hum-drum to the main character. Instead of rubbernecking his way along Diagon Alley, pointing out all the wondrous shops, it would have been like a stroll in the shopping mall. We would have been lucky to have our attention drawn to the Nimbus 2000. All the magic would have been sapped out of the world because it was so normal to the character.

            Would Narnia had been so fantastic to someone who grew up there? Would a journey across Middle Earth have been so incredible if hobbits weren’t so reclusive?

            The reader is an adventurer, traipsing into an unknown world. Were we going there ourselves, we would want an experienced guide who knew the place. We aren’t, though. We are following along the experiences of our guide. If we want to experience the new world for ourselves, we need our guide to look upon it with the same wide-eyed wonder as we would.

            The journey of the outsider brings a new level of depth to a story. It’s no wonder we see so much of it.

Click here to find the charity anthology containing a couple of my short stories.

If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.

Playing with Paint

            Returning to our renovations channel, this week has given us the start of painting (yaaaay!). While the colour scheme was selected over a month ago, it was the first time I’d ever gone to choose paint colours.

            Now, I've lived in the same hose pretty much my whole life and I grew up in a house with all white walls (at some point, one room was given blue cloudy wallpaper, my brother’s room was painted a light blue and some of the white was changed to a cream) and most of the houses I've been exposed to were along similar lines. All or most of the rooms the same colour (usually white or close enough). So, I thought, easy enough – pick a colour for the walls (white), and one for the trim. Not so.

            You see, my wife’s household is predominantly populated with people with ADD, and that means no two rooms are the same colour. White is entirely vetoed.

            It was relatively easy for my wife and I to agree on the colours for the work room and the bedroom, but the living/dining/kitchen posed more of a problem – mainly because we only had cool colours so far and my wife (and her mother) were encouraging a room with warm colours. I’m not a fan of most warm colours.

            Then my wife remembered everyone in the special features of The Hobbit and Lord of the Rings talking about how great Bag End was and how they wanted to live there (particularly Peter Jackson). So, we watched The Hobbit to scout out colours and fell in love. We chose a light yellow and a dark brown for the trim – deciding to use the same trim throughout the house (at my suggestion) for some measure of continuity between the rooms.

            Those were the colours we were working with this week. On Friday, my mother-in-law came home from work to find a previously raspberry red room white with primer (when they tell you that light colours make a room bigger, it’s true!) and on Saturday it had turned to yellow. I told her that I was thinking of painting it pink next and then have it a different colour every time she came home from work.

            Today (Sunday), we painted the trim brown and, wow, are we happy with that room. It looks very much like Bag End, as desired. We were a bit worried at first because the brown paint looked a little too, as my wife put it, “baby poo” before it dried. We were also not looking forwards to putting on two coats, as baseboards are a pain to paint without painting the floor. We lucked out on both accounts – not only did the paint darken to what it was supposed to be when it dried, the first coat was all it needed. Not because it covered everything well enough, but because the way it went on had an antique, weathered woody look. It was a happy accident that turned out better than we could have hoped.

            Hopefully the next time you hear about renovations, it will be accompanied by pictures – and we’ll be done and moved in.

Click here to find the charity anthology containing a couple of my short stories.

If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.

Always Something New

            I love those moments in life when you’re reading a book or watching a movie for somewhere between the second and millionth time and you suddenly notice or realize something for the first time. Sometimes it’s just simple little things that you aren't meant to catch at first, like that brief look or comment a secret villain makes that seems harmless unless you actually know the truth about them. Other times, it’s a huge revelation about the secret meaning behind the story.

            An example of the first one was something Colleen pointed out to me while we were watching The Incredibles – for the first time, we noticed that when they entered the secret laboratory of Edna (the superhero seamstress), she actually had large bolts of fabric stored in there. It’s a small detail that usually just slips by, but when you notice it, you realise just how attentive to detail animators are (set dressers, too, for live movies).

            I recently started reading The Hobbit (again), but I'm seeing it with new eyes thanks to all the special features I've seen from the movie. What stood out to me this time was a single line – a comment about the battle of the mines of Moria. I've never noticed it there before, but because it plays a larger role in the movies, I caught it this time. This isn't just a testament to the attention to detail that Peter Jackson has, but also to Tolkien’s world building skills. Nothing says the world of a book is real like a casual reference to historical events.

            The one that got me thinking about all this was while I was watching The Croods (yes, I know I watch a lot of movies, but I make chainmaille for a living and it helps to have some entertainment). It’s a fun animated movie, with some good messages in it and that’s just what I was thinking when the “wow” moment hit me. The biggest underlying meaning in the movie is overcoming fear to live a better life.

Then I took a closer look and my jaw dropped as I saw, twisted into the story, a huge political and social commentary on the effects of fear, including how it is used to control people. A fearful person used their fear to instil fear in others to get them to do what they wanted, justifying it to themselves by saying it was for their protection. The fear closed minds and prevented progress. It wasn't until the fear was released that minds were opened and life became better.

            If you take that story and paint it over various people and/or world events (I'm sure I don’t have to give any examples), certain things suddenly start to make sense (or, at least, as much sense as they can). I don’t know if the movie makers intended for their movie to be applied to a global scale, but I don’t really care because it can be. Be it for a person, country or planet, overcoming fear opens minds and improves life.

            That’s the best part about these revelations – they don’t even have to be intended by the creators. They are there and they bring a new life to entertainment, which is why the best books, movies and video games are worth second, third and fourth times through. Even if it’s in your mind, there’s always something new to find.

Click here to find the charity anthology containing a couple of my short stories.

If there's any subject you'd like to see me ramble on about, feel free to leave a comment asking me to do so.